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In the case of Westwood reclaiming the corset, she wishes to retire the oppressive myth of corsetry, and celebrate it as a garment of female power and liberation, as demonstrated by her naming the corset in the Harris Tweed collection Stature of Liberty. The Portrait Collection, 1990 In the documentary Why I Love the Wallace about The Wallace Collection, which owns the Boucher painting she printed on the corset, Vivienne Westwood said: All my ideas come from studying the ideas of the past

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