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But the message matters. But theres no happy ending here

[67] After decades of disgrace, Art Nouveau returned to the forefront in the 1960s

The latter are represented by Coughlin and his Italian and Cuban partners, the former by the cracker sheriff (Chris Cooper), his tent revival-preaching daughter (Elle Fanning), his KKK-affiliated brother-in-law (Chris Sullivan), and a bank manager who actually identifies himself as a representative of the landed gentry, which is a step removed from just identifying characters by emblazoning their racial, religious, and class loyalties across their chests, as in political cartoons of the Thomas Nast vintage